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MANAGEMENT & PR
Christina Jensen, christina@jensenartists.com
Gina Meola, gina@jensenartists.com
646.536.7864
“Jensen’s layered loops express the range of emotions that arise as death draws near, from the simple beauty of bookends ‘Daily’ and ‘Final’ to the humble awe of ‘Holy Mother.’ This collection of requiems for a dying mother ranks among the great ambient albums of the 21st century.”
“Meditative or disorienting? Turns out they’re one in the same here. That might not be such a bad thing, especially if Jensen’s new album shifts us out of our daily routines and into spaces unlike any we know.”
Heralded by NPR as “perhaps the most restless and fascinating cellist working today,” Clarice Jensen has established a unique presence in contemporary music as a multi-faceted solo artist performing and recording her own original experimental, drone-based music; as a film composer; and as a sought-after interpreter of some of the most revered works of modern classical music. Jensen has been a musician for her entire life. Having begun playing the cello at age three, she completed her bachelor’s and master’s degrees at The Juilliard School before expanding the sound palette of her instrument to include live looping and processing. She has released four LPs featuring her own music on the FatCat/130701 and Miasmah labels, with her latest being named by NPR as among the best albums of 2025 across all genres. As a film composer, her honors include a nomination for a 2021 Ariel Award for Best Original Music by the Mexican Academy of Cinematographic Arts and Sciences. Films that she has scored have also been award winners at the Sundance Film Festival and International Documentary Film Festival Amsterdam (IDFA).
Jensen has a distinctive compositional approach, layering her cello through shifting loops and a chain of electronic effects to conjure a series of rich, drone-based sound fields. Pulsing, visceral and full of color, her work is deeply immersive and hallmarked by a powerful emotional resonance and an almost hallucinatory clarity. Often based upon elegant graphic scores, Jensen's slowly evolving sound worlds are built around structured improvisation, utilizing repetition and duration to suspend and disrupt the perception of time. Meditative yet with a sculptural sharpness and rigor, she has forged a powerful and precise vision.
Her music has been described by Self-Titled as, “heavily processed, incredibly powerful neo-classical pieces that seem to come straight from another astral plane;” by Boomkat as “languorously void-touching ideas, scaling and sustaining a sublime tension;” while Bandcamp remarked upon “a kaleidoscope of pulsing movement rich in acoustic beating and charged with psychoacoustic effects, constantly shifting in density and viscous timbre.”
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Jensen has performed solo shows at venues including Lincoln Center, the Guggenheim Museum, and Public Records in New York; The Barbican, Southbank Centre, and St. Pancras Old Church in London; The Lodge Room in Los Angeles; Gray Area in San Francisco; The Cedar in Minneapolis; and Holocene in Portland (OR); and at major festivals including Big Ears in Knoxville (TN), Semibreve in Portugal, PEOPLE Festival at Funkhaus Berlin, and Meakusma in Belgium. Presented by the immersive audio-visual series Age of Reflections, she supported Suzanne Ciani on her 2025 US tour. Upcoming and recent highlights include support dates with Colin Stetson and Brìghde Chaimbeul at Pioneer Works in Brooklyn and the ICA Boston, plus solo dates with Chamber Music City in Nashville (TN), a residency at the Présences électronique festival in Paris, and a five-concert run inside the largest natural cavern in California.
Jensen has shared the stage with collaborators including Max Richter, Jóhann Jóhannsson, Dustion O’Halloran, Stars of the Lid, A Winged Victory For The Sullen, The National, Dirty Projectors, Yeah Yeah Yeahs, Arcade Fire, and Jónsi. An in-demand recording artist as well, her playing has also been heard by millions across albums by Taylor Swift, Ed Sheeran, Björk, Dua Lipa, Lady Gaga, Bruce Springsteen, and more. Most recently, she has played to tens of thousands each night on My Chemical Romance’s The Black Parade worldwide stadium tour, including performing her own between-sets solo slot.
As artistic director of ACME (the American Contemporary Music Ensemble), which she founded upon graduating from Juilliard in 2004, Jensen has helped bring to life landmark works of contemporary classical repertoire, including pieces by Philip Glass, Steve Reich, Terry Riley, and Gavin Bryars, as well as Jóhann Jóhannsson's Drone Mass (commissioned by ACME), Charlemagne Palestine’s Strumming Music, and Julius Eastman’s The Holy Presence of Joan d’Arc for ten cellos (which Jensen transcribed from a historic recording, restoring a score lost since 1981).
Jensen’s striking debut album For This From That Will Be Filled was released in 2018 on the Berlin-based label Miasmah. Her sophomore album The experience of repetition as death was released on FatCat’s 130701 imprint. Naming it among their top 50 albums of 2020, NPR remarked "this collection of requiems for a dying mother ranks among the great ambient albums of the 21st century." Her third LP Esthesis appeared in 2022, with Boomkat stating, “Jensen finds a fine line between in-the-moment, tactile precision and lingering hallucinatory afterimages that emerge from her improv/compositional system. The pieces betray an exquisite depth of feeling in Jensen’s diffractive rendering of shimmering layers and gently transitory movements,” while Magnetic Magazine noted, “there is no doubt this album will impact people profoundly.” Jensen's latest album, In holiday clothing, out of the great darkness, was released in 2025. Recorded as part of the Visiting Artist Programme at Studio Richter Mahr, the creative space co-founded by Max Richter, it draws abstract inspiration from the Suites of J.S. Bach, placing the rich sonority of the cello at the fore but carefully treating and layering the timbres to create a “kaleidoscopic, surging cathedral of sound” as described by Tom Huizenga of NPR.
Increasingly in demand as a film and television composer, Jensen’s recent scores include Amber Sealey's No Man of God starring Elijah Wood; Takeshi Fukunaga's Ainu Mosir; Fernanda Valadez's 2020 Sundance Film Festival award-winner Sin Señas Particulares (Identifying Features), for which Jensen was nominated for a 2021 Ariel Award for Best Original Music by the Mexican Academy of Cinematographic Arts and Sciences; Caught in the Web: The Murders Behind Zona Divas (2024), a four-part Netflix documentary on femicide in Mexico from Astrid Rondero and Fernanda Valadez; and A Want in Her, a documentary film from Myrid Carten which premiered at International Documentary Film Festival Amsterdam (IDFA) in 2024.
“languorously void-touching ideas, scaling and sustaining a sublime tension”
NEWS
“heavily processed, incredibly powerful neo-classical pieces that seem to come straight from another astral plane”
PHOTOS
“The Zen clarity of her sound recalls masters like Phill Niblock, evoking universes by honing in on narrow ranges of frequency. But the way Jensen shifts her drones, building them gradually and then hard-cutting to completely new tones, feels singular.”
“Clarice Jensen’s unsettling electronic score commingles with the camera work to build a sense of achingly slow-burn tension. Abstract interstitial montages let off a bit of steam with a propulsive electro soundtrack, marking the passing of time with images of the menacing and the mundane.”